{Holy Thursday, Maundy Thursday, the night before…Since Lent began, I have been writing about “room(s).” Today, that one upstairs, where Jesus broke bread with his true family for the last time.}

Tonight I will lead a service of Holy Communion at a local Presbyterian Church. We will gather in small groups around a table in the front of the sanctuary, and I will say what we call “The Words of Institution,” words from scripture in which the Apostle Paul “instituted” or initiated the way we remember that night when Jesus headed from table to betrayal.

Though we think of this night as a kind of reenactment of the Last Supper, it is nowhere near that. We cannot pretend we know the hearts of Jesus and disciples as they reclined at table for the meal. Some churches do try to make this night into quite the production number, perhaps serving a copy of the Passover Meal to worshippers gathered at tables, with explanations of the various traditional elements of the meal, and then engaging in the ritual of footwashing, followed by the sharing of the Sacrament. Maybe they will then sing a hymn as the disciples did as the meal ends and people go home to TV. But liturgy is not “play acting.” Please, I intend no judgment here. My point is that there is no way to capture the true drama of that evening in the upper room, then in the garden, and then into the darkest of nights.

The church we where we usually worship has gathered folk in the fellowship hall on Maundy Thursday evening, around the tables normally used for church luncheons and dinners. In the context of a worship service there, the people serve one another bread and cups of “the fruit of the vine” (our nomenclature for the grape juice we use in place of wine), and with the reading of scripture passages, candles are eventually extinguished until the room is darkened. And the direction is that we leave the hall in silence. Of course, some folks can’t help themselves, and chat on the way home…to TV.

I do like that model. Even more meaningful, though not practical for such a large group, would be to have the meal in the church’s “upper room.” A couple of weeks ago in this series, I wrote of “tower rooms” and our church has one. It would be cramped, but certainly a special place, set apart, and carefully prepared for this special night. I can only imagine it, however: candle light, a table set with dinnerware, hunks of bread (no, not unleavened…no need to be that fundamental), and vessels of wine, real rich, red wine…with Welches for those for whom wine would be a serious problem. But here I am, making it into a period drama. No, it’s to be a simple act of remembrance.

And what is it that we are remembering? An upper room? Last meal? Disciples wholly and holy converted into family? The special and very careful arrangements Jesus made for the use of this upstairs room? Feet being washed and servant love being taught by example? Judas’ early exit? No. Indeed the question is put wrong. It should be “Who is it we are remembering? Jesus. “Whenever you do this, remember me.” Or, as Eugene Peterson’s paraphrase has it: “This bread…eat it in my memory.”

So, this Sacrament, whether called “Holy Communion” or “Eucharist” or “The Lord’s Supper,” is a meal (simple as it is with mere bits and sips!) of remembrance, and yes, like the Jewish Passover. (By the way, John’s Gospel has this farewell meal on the eve of Passover, not on Passover night itself. But that Jesus was betrayed and arrested and killed during the Jewish feast of liberation is of great significance theologically. So significant that I never should have placed that sentence within parentheses. Sorry.)

I quote my dear friend and colleague the late Lamar Williamson here, a summary paragraph from his Interpretation commentary on Mark’s Gospel.

Nothing is haphazard about Jesus’ death nor about the meal he shares with his disciples in preparation for it. All occurs by divine appointment, coupled with careful and conscious preparation by the participants. The principle still holds true: Time and place must be prepared if this established ritual is to serve effectively as a point of intersection with ultimate reality.

Lamar Williamson, “Interpretation,” John Knox Press

Tonight then, the sanctuary where I am guest worship leader is arranged for tables up front (Presbyterians do not have altars), liturgy carefully chosen, choir and organ music rehearsed, bread and grape juice ready for serving– and we shall remember Jesus. We will not think casually about that night so long ago. We will retell the story of that supper, partake of the “elements” (such a strange word for bread and cup), and pause ever so briefly in silence to meditate on our own place at his Table. Our own place in his story, and his life in us.

And for the rest of our stories in this life, we shall commit ourselves to follow his commandment to love one another, so that people will know we are his disciples, his family still. Dirty feet and all.

{Each day in Lent 2023 I have written some reflections on the general theme of music. I’ve kept it general so that I could simply write what occurred to me as I sat at the keyboard, without investing time in organization, research, and planning. I know: it shows. But that’s how the muse moves…usually. Today, though, I write for this specific day, Holy Thursday.}

Tonight’s Maundy Thursday services will include a focus on the Last Supper Jesus had with his followers. Mention will be made of an “upper room,” the Passover meal, “the twelve,” and betrayal. Bread will be broken, wine poured, and worshippers will be exhorted to “remember.” The tables and altars at many churches carry the words “Do This in Remembrance of Me.”

And over two milennia later, we do remember. And re-enact. Tonight, after the story is re-told and the modest meal is shared, many will strip their sanctuaries of candles, crosses, banners, and paraments, and worshippers will leave churches in silence. It is the eve of Jesus’ crucifixion.

Yet, before they leave, there will be a hymn. If we are to model our sacramental supper according to scripture, it is appropriate to sing a hymn as the disciples did that holy eve. Matthew and Mark both record that as the dinner broke up, “After they had sung a hymn, they went out to the Mount of Olives.” A hymn?

Many years ago I saw a short film by Rolf Forsberg titled “The Jesus Roast.” It was a modern comedic retelling of the “last supper” based on the popular celebrity roasts entertainer Dean Martin had hosted on 1970s TV. While offensive to many Christian viewers, others who would later enjoy “The Cotton Patch Gospel” would find in the humor an engaging message of modern disciples’ loving admiration and respect for Jesus. At the end of the film, as the characters had paid their humorous yet sincere tributes to their best friend, Jesus put on an apron, took up a wash cloth, and washed the dinner dishes as the disciples sat stunned by another act of his servanthood.

I mention this film since I, upon reading that line about everyone having sung a hymn as they departed, wondered who chose the hymn. I couldn’t help but imagine the upstairs diners, disciples and unnamed guests (some women, perhaps some servers) debating which hymn(s) to close with. “Not that one again!” someone might have complained.

“Why not? That’s one everybody knows.”

“Should we sing something more subdued? Judas has left the building, Jesus seems to be saying goodbye.”

“No, let’s persist in praise,” another might respond. I’ve heard a new chorus I could teach you all before we go!”

Ah, but my imagined debate over the hymn (modern day disciples have made an art of that) was deflated when it occurred that it wasn’t just any hymn that concluded the meal and led Jesus and his closest followers to the Mount and then Gethsemane. It was the traditional music of the Passover. That meal ended with the singing of the so-called Hallel, which consisted of several psalms, namely 113-118. It is indeed “praise music,” with Psalm 113 beginning,

“Hallelujah! Give praise, you servants of the Lord; praise the name of the Lord…From the rising of the sun to its going down, let the name of the Lord be praised.”

Psalm 116 includes the familiar words, “I will lift up the cup of salvation, and call upon the name of the Lord.” Psalm 118 has a verse that sings, “The Lord is my strength and my song and has become my salvation. There is a sound of exaltation and victory in the tents of the righteous….I shall not die, but live, and declare the works of the Lord.”

And the last words they may have sung that night, the night of Jesus’ arrest, the eve of his death: “Give thanks to the Lord who is good, whose mercy endures forever.”

The Eugene Peterson paraphrase called The Message ends the song with what we might call in the vernacular “the bottom line” – God’s love never quits.

Yes, dinner music: the Lord is my song. A song of never-ending love.

How can I keep from singing?